How can Midnight’s Children be described as a ‘novel of partition'?
Midnight's Children von Rushdie, Interpretation, Indien
In my essay I will discuss Salman Rushdie’s novel Midnight’s Children, which was first published in 1981.
I will not quite deal with the novel just under this focus, as the question was probably intended to be, but I will also discuss the book under the aspect of East and West, Orient and Occident ( if such separations are possible is certainly another question), and maybe make some references to Rushdie’s more recent novels the ground beneath her feet and Fury.
Midnight’s Children tells the life story of two children who are born exactly at the stroke of midnight on August 15th 1947, the day India and Pakistan achieved their independence from Great Britain, in a Hospital in Bombay. They are exchanged at birth, and so the narrator, Saleem Sinai, grows up in a well-to-do Muslim family, while his later rival, Shiva, has to live in a low-caste Hindu environment. Shiva is not even raised by Saleem’s biological father, since his wife, who dies right away, has been unfaithful to her husband with a departing English colonist. Rushdie intermingles the life and family story of Saleem, who tells it, orally and in his probably dying days, to a young woman named Padma, with the history of the Indian subcontinent in his 30 years of life. Together with India, 1001 children are born in the hour of midnight.
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About the Author
Ich bin auf der Schwäbischen Alb aufgewachsen. In Gainesville, Georgia habe ich mein Highschooldiploma erworben. Am Schubart Gymnasium in Ulm habe ich mein Abitur gemacht (fremdsprachlicher Zug). Nach dem Zivildienst habe ich an der Universität Konstanz und an der University of Sussex, England, Englische und Amerikanische Literatur, Soziologie und Sprachwissenschaft mit anglistischem Schwerpunkt auf Magister studiert.
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